Led Zeppelin of Led Zeppelin, at a welcome party for the band at Tokyo Hilton Hotel, Tokyo, Japan, 22nd September 1971. L-R John Paul Jones, Robert...

About the song

Emerging from the late 1960s rock scene, Led Zeppelin stood as a towering titan, a band that defied categorization and rewrote the very definition of rock and roll. Their music, a potent blend of blues, rock, folk, and psychedelia, resonated with an intensity that few could match, leaving an indelible mark on the landscape of popular music. “How Many More Times,” the closing track on their self-titled debut album, serves as a microcosm of their sonic prowess, showcasing their mastery of dynamics, their exploration of diverse musical influences, and their ability to craft extended jams that captivated audiences worldwide.

Led Zeppelin‘s debut album was a seismic event in the music world, heralding the arrival of a force unlike any other. The album showcased their versatility, seamlessly weaving together bluesy hard rock, acoustic folk, and psychedelic experimentation. “How Many More Times” stands out as a prime example of their ability to transcend genres, seamlessly blending blues, rock, and funk into a cohesive and exhilarating whole.

The song opens with a bluesy riff, Jimmy Page’s guitar weaving a hypnotic melody that sets the stage for Robert Plant’s impassioned vocals. Plant’s lyrics, imbued with a sense of longing and desperation, capture the essence of the blues, exploring themes of love lost and the yearning for redemption. The song’s structure is anything but conventional, defying the traditional verse-chorus format and instead opting for a more fluid, improvisational approach. This loose structure allows the band to explore various musical textures and moods, creating a dynamic and unpredictable listening experience.

As the song progresses, it morphs into a funk-infused jam, with John Paul Jones’s bass laying down a pulsating groove and John Bonham’s drums providing a thunderous backbone. Page’s guitar soars, unleashing a flurry of riffs and solos that showcase his virtuosity and inventiveness. Plant’s vocals take on a more improvisational quality, echoing the band’s instrumental excursions. The song builds to a feverish crescendo, before finally subsiding into a tranquil blues outro.

“How Many More Times” is a testament to Led Zeppelin’s mastery of dynamics and their ability to create music that is both exhilarating and deeply moving. The song’s extended length allows the band to fully explore their musical ideas, taking the listener on a journey through a diverse range of sounds and emotions. It is a fitting conclusion to their debut album, leaving a lasting impression that only a band of Led Zeppelin’s caliber could achieve.

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Lyrics

How many more times, treat me the way you wanna doHow many more times, treat me the way you wanna doWhen I give you all my love, please, please be true
I’ll give you all I’ve got to give, rings, pearls, and allI’ll give you all I’ve got to give, rings, pearls, and allI’ve got to get you together baby, I’m sure, sure you’re gonna crawl
I was a young man, I couldn’t resistStarted thinkin’ it over, just what I had missedGot me a girl and I kissed her and then and thenWhoops, oh lord, well I did it againNow I’ve got ten children of my ownI got another child on the way that makes elevenBut I’m in constant heavenI know it’s all right in my mind‘Cause I got a little schoolgirl and she’s all mineI can’t get through to her ’cause it doesn’t permitBut I’m gonna give her everything I’ve got to give
Oh, Rosie, oh, girl, oh, Rosie, oh, yeahSteal away now, steal awaySteal away, baby, steal awayLittle Robert Anthony wants to come and playWhy don’t you come for me, baby, steal away, alright, alright
Well, they call me the hunter, that’s my nameCall me the hunter, that’s how I got my fameAin’t no need to hide, ain’t no need to run‘Cause I’ve got you in the sights of my gun
How many more times, barrel house all night longHow many more times, barrel house all night longWell I’ve got to get to you, baby, oh, please come homeWhy don’t you listen to me, babeWhy don’t you please come homeWhy don’t you please come homeWhy don’t you please come home