This Interactive Music Video For Bob Dylan's 'Like A Rolling Stone' Is  Pretty Impressive

About the song

In the realm of music, there are songs that entertain, songs that educate, and songs that simply leave an indelible mark on the soul. Bob Dylan’s “I Want You” falls into the latter category, standing as a timeless masterpiece that has captivated audiences for generations. Released in 1966 as part of Dylan’s groundbreaking album Blonde on Blonde, “I Want You” is a whirlwind of emotions, a poetic tapestry woven with raw desire, vulnerability, and a touch of mystique.

Dylan, a Nobel laureate and an iconoclastic figure in the world of music, has never shied away from baring his soul in his lyrics, and “I Want You” is no exception. The song is an unabashed declaration of love, a passionate plea from a lover yearning for the reciprocation of their affections. Yet, it’s not a love song in the conventional sense; Dylan’s lyrics are laced with a complexity that goes beyond mere infatuation.

The opening lines, “Sunshine on my shoulder makes me happy/Sunshine on my lips makes me smile”, paint a picture of idyllic contentment, suggesting a state of pure bliss. However, this tranquility is quickly shattered as Dylan’s emotions take center stage. “I want you/I need you/But it might be too late”, he declares, his voice laced with a palpable urgency.

The song’s verses are a whirlwind of metaphors and imagery, each line painting a vivid picture of the singer’s emotional state. He compares his love to the “sun” and the “moon,” suggesting its celestial power and allure. He yearns to be “held in your arms” and to “walk with you through fields of gold,” expressions that speak to his deep desire for connection and intimacy.

Yet, amidst these passionate declarations, there’s an undercurrent of doubt and insecurity. Dylan is acutely aware of the fickle nature of love, and he fears that his feelings might not be reciprocated. “I want you/I need you/But it might be too late”, he repeats, the refrain serving as a constant reminder of the precariousness of his situation.

The song’s bridge offers a glimmer of hope, as Dylan acknowledges that despite the uncertainty, his love remains unwavering. “I’ll follow you wherever you go/If you will just let me know”, he sings, his voice filled with a mix of determination and vulnerability.

“I Want You” concludes with a poignant repetition of the title phrase, leaving the listener with a lingering sense of longing and desire. Dylan’s final words, “I want, I want, I want you”, echo in the mind, a testament to the enduring power of love and the complexities of the human heart.

“I Want You” is more than just a love song; it’s a testament to the power of language to convey the deepest emotions. Dylan’s masterful use of imagery, metaphor, and repetition creates a lyrical landscape that is both intimate and universal. The song speaks to the universal human experience of longing, desire, and the vulnerability of love. It is a song that has stood the test of time, continuing to resonate with listeners across generations and cultures.

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Lyrics

The guilty undertaker sighsThe lonesome organ grinder criesThe silver saxophones say I should refuse youThe cracked bells and washed-out hornsBlow into my face with scorn, but it’sNot that way, I wasn’t born to lose you
I want youI want youI want you, so badHoney, I want you
The drunken politician leapsUpon the street where mothers weepAnd the saviors who are fast asleep, they wait for youAnd I wait for them to interruptMe drinkin’ from my broken cupAnd ask me to open up the gate for you
I want youI want youYes I want you, so badHoney, I want you
How all my fathers, they’ve gone downTrue love they’ve been without itBut all their daughters put me down‘Cause I don’t think about it
Well, I return to the Queen of SpadesAnd talk with my chambermaidShe knows that I’m not afraid to look at herShe is good to me and there’sNothing she doesn’t seeShe knows where I’d like to be but it doesn’tMatter
I want youI want youYes I want you, so badHoney, I want you
Now your dancing child with his Chinese suit heSpoke to me, I took his fluteNo, I wasn’t very cute to him, was I?But I did it, because he lied andBecause he took you for a rideAnd because time was on his side andBecause I
Want youI want youYes I want you, so badHoney, I want you