About the song
Roy Orbison’s “Mean Woman Blues” is a dynamic and powerful track that showcases his unparalleled vocal prowess and emotional intensity. Released in 1963, this song is part of his album “Roy Orbison’s Greatest Hits”, which compiles some of his most influential and memorable work. The song itself, however, had been a staple in the rock and roll world even before Orbison’s rendition, originally written by Claude Demetrius and popularized by Elvis Presley in the 1950s.
“Mean Woman Blues” tells the tale of a tumultuous relationship with a woman who is captivating yet cruel. The lyrics are straightforward and evocative, capturing the essence of heartache and frustration that comes from being entangled with a “mean” woman. Lines like “Well, I ain’t braggin’, it’s understood, everything I do, well, I sure do it good” illustrate a mix of defiance and resignation, reflecting the complex emotions involved in such a relationship.
Musically, the song is driven by a relentless rhythm and blues beat, characterized by a robust piano line and energetic guitar riffs. Orbison’s version stands out for its raw, emotive delivery. His voice, renowned for its range and expressiveness, brings a unique intensity to the song. Unlike many of his ballads that feature his soaring, operatic vocals, “Mean Woman Blues” allows Orbison to explore a grittier, more grounded vocal style, demonstrating his versatility as an artist.
Roy Orbison‘s impact on the music world cannot be overstated. Known for his haunting ballads and dramatic vocal style, he influenced countless artists across various genres. With “Mean Woman Blues”, he not only pays homage to the rock and roll roots of the song but also stamps it with his distinctive style. This blend of respect for tradition and individual artistry is part of what has cemented Orbison’s legacy in the music industry.
The social impact of “Mean Woman Blues” is multifaceted. During the 1960s, the rock and roll genre was evolving, incorporating more complex emotional themes and diverse musical influences. Songs like this one helped to shape the sound of rock music, bringing in elements of blues and country, which Orbison skillfully merged. Additionally, “Mean Woman Blues” reflects the cultural zeitgeist of the time, capturing the angst and rebellious spirit that characterized much of the youth culture in the post-war era.
In conclusion, “Mean Woman Blues” is a testament to Roy Orbison’s incredible talent and his ability to interpret and transform a song. Its place within “Roy Orbison’s Greatest Hits” ensures that it remains a significant part of his musical legacy. The song’s driving beat, compelling lyrics, and Orbison’s powerful vocal performance make it a standout track that continues to resonate with listeners. Whether you’re revisiting it as a long-time fan or discovering it anew, “Mean Woman Blues” offers a glimpse into the heart and soul of one of rock and roll’s most enduring icons.
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Lyrics
Mmm, well, I got a woman, mean as she can beWell, I got a woman, mean as she can beA-some-a-times I think she’s almost mean as meShe gotta ruby lips, she got shapely hips, yeahBoy she makes ole Roy-y flipI got a woman, mean as she can beSome-a-times I think she’s almost mean as meWell, I ain’t braggin’, it’s understoodEverything I do, well I sure do it goodYeah, I got a woman, mean as she can beA-some-a-times I think she’s almost mean as me, wellShe’s got ruby lips, she got shapely hips, yeahBoy she makes ole Roy-y flipI got a woman, mean as she can beA-some-a-times I think she’s almost mean as me, easy nowYeah, yeah, get real low nowAw (sha-la-la-la, sha-la-la-la)(Sha-la-la-la, sha-la-la-la)Ooh (sha-la-la-la, sha-la-la-la)(Sha-la-la-la, sha-la-la-la)Grr, yeah (sha-la-la-la, sha-la-la-la)Now, let’s go one time (sha-la-la-la, sha-la-la-la)Well, I got a woman (sha-la-la-la)Yeah, I got a woman (mean woman, sha-la-la-la)Yeah, I got a woman (I got a woman, sha-la-la-la)Well, I got a woman (mean woman, sha-la-la-la)A-some-a-times I think she’s almost mean as me